BiblioVault - Books by Rubin, Rachel

American Popular Music

New Approaches to the Twentieth Century

Rachel Rubin

University of Massachusetts Press, 2001

Designed as a broad introductory survey, and written by experts in the field, this book examines the rise of American music over the past hundred years — the period in which that music came into its own and achieved unprecedented popularity. Beginning with a look at music as a business, eleven essays explore a variety of popular musical genres, including Tin Pan Alley, blues, jazz, country, gospel, rhythm and blues, rock and roll, folk, rap, and Mexican American corridos. Reading these essays, we come to see that the forms created by one group often appeal to, and are in turn influenced by, other groups — across lines of race, ethnicity, class, gender, region, and age. The chapters speak to one another, arguing for the primacy of such concepts as minstrelsy, urbanization, hybridity, and crossover as the most powerful tools for understanding American popular music. Moving beyond outdated music-industry categories and misleading genre labels, while acknowledging the complexities of the market, the book recovers and reinforces the essential blackness of much popular music—even a presumably white form like country and western. In addition to Rachel Rubin and Jeffrey Melnick, contributors include Reebee Garofalo, Geoffrey Jacques, Kip Lornell, Mark Anthony Neal, Millie Rahn, David Sanjek, James Smethurst, Elijah Wald, and Gail Hilson Woldu.

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Foundations of Library and Information Science

Richard E. Rubin

American Library Association, 2020

Richard E. Rubin’s book has served as the authoritative introductory text for generations of library and information science practitioners, with each new edition taking in its stride the myriad societal, technological, political, and economic changes affecting our users and institutions and transforming our discipline. Rubin teams up with his daughter, Rachel G. Rubin, a rising star in the library field in her own right, for the fifth edition. Spanning all types of libraries, from public to academic, school, and special, it illuminates the major facets of LIS for students as well as current professionals. Continuing its tradition of excellence, this text addresses

the history and mission of libraries from past to present, including the history of service to African Americans;
critical contemporary social issues such as services to marginalized communities, tribal libraries, and immigrants;
the rise of e-government and the crucial role of political advocacy;
digital devices, social networking, digital publishing, e-books, virtual reality, and other technology;
forces shaping the future of libraries, including Future Ready libraries, and sustainability as a core value of librarianship;
the values and ethics of the profession, with new coverage of civic engagement, combatting fake news, the importance of social justice, and the role of critical librarianship;
knowledge infrastructure and organization, including Resource Description and Access (RDA), linked data, and the Library Research Model;
the significance of the digital divide and policy issues related to broadband access and net neutrality;
intellectual freedom, legal issues, and copyright-related topics;
contemporary issues in LIS education such as the ongoing tensions between information science and library science; and
the changing character of collections and services including the role of digital libraries, preservation, and the digital humanities.

In its newest edition, Foundations of Library and Information Science remains the field’s essential resource.

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A House Is Not a Home

Polly Adler

University of Massachusetts Press, 2006

Polly Adler's "house"—the brothel that gave this best-selling 1953 autobiography its title—was a major site of New York City underworld activity from the 1920s through the 1940s. Adler's notorious Lexington Avenue house of prostitution functioned as a sort of social club for New York's gangsters and a variety of other celebrities, including Robert Benchley and his friend Dorothy Parker. According to one New York tabloid, it made Adler's name "synonymous with sin."

This new edition of Adler's autobiography brings back into print a book that was a mass phenomenon, in both hardback and paperback, when it was first published. A self-consciously literary work, A House Is Not a Home provides an informal social history of immigrant mobility, prostitution, Jewish life in New York, police dishonesty, the "white slavery" scare of the early twentieth century, and political corruption.

Adler's story fills an important gap in the history of immigrant life, urban experience, and organized crime in New York City. While most other accounts of the New York underworld focus on the lives of men, from Herbert Asbury's Gangs of New York through more recent works on Jewish and Italian gangsters, this book brings women's lives and problems to the forefront.

A House Is Not a Home is compellingly readable and was popular enough to draw Hollywood's attention in the early 1960s—leading to a film starring Shelley Winters as Adler. The book has been largely forgotten in the ensuing decades, lost both to its initial audience of general readers and to scholars in women's studies, immigration history, and autobiography who are likely to find it a treasure trove. Now, with a new introduction by Rachel Rubin that contextualizes Adler's life and literary achievement, A House Is Not a Home is again available to the many readers who have come to understand such "marginal" life stories as a special refraction of the more typical American success narrative.

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Jewish Gangsters of Modern Literature

Rachel Rubin

University of Illinois Press, 2000